Sunday, January 29, 2017

100 Words on Adam Wingard's Blair Witch (2016)

By Thomas Puhr

Frequent collaborators Adam Wingard and Simon Barrett’s follow-up to the great The Blair Witch Project (1999) is well-constructed (a subtle visual twist brings everything full circle), yet ultimately unnecessary. Attempts are made to varnish the original’s roughness; a drone camera, for example, provides some eerie overhead shots (a clever conceit that is ultimately wasted). Just as John Carpenter did with his masterful update of The Thing, Wingard and Barrett make explicit what the original left in shadows. This decision is fine (did they really have a choice?), but the inevitable reveal of the creature is a mess of generic CGI. 

Wednesday, January 18, 2017

100 Words on Michael Wong's "The Story of 90 Coins" (2015)

By Thomas Puhr

In his directorial debut, “The Story of 90 Coins,” Michael Wong explores the peaks and valleys of a months-long relationship between the sentimental Wang Yuyang (Dongjun Han) and the ambitious Chen Wen (Zhuang Zhiqi), all in under 10 minutes, no less. The central conceit (Wang Yuyang gives Chen Wen a coin and accompanying note to mark each of their 90 encounters) allows Wong to hopscotch freely amongst the couple’s experiences, which range from comic to unabashedly-melodramatic. Despite an unnecessary postscript, the action ends on a pleasantly-ambiguous note. The cinematography, which tempers some overwrought moments with a crisp sheen, stands out.