100 Words on Jo Southwell's Deirdre (2016)
In her Cannes-bound short film, Deirdre (2016), writer-director Jo Southwell provides a glimpse into her gestating feature-length adaptation of an Irish folktale. Within a crisp 15-minute runtime, Southwell introduces the titular heroine (India Mullen), her fanatically-religious mother (Elaine Fox), and her absent, mysterious father (Zeb Moore). In addition to its mythological roots, the short makes some intriguing allusions to classic genre films; the violent mother locking her “sinful” daughter in a closet, as well as a disturbing bath scene, call to mind DePalma’s Carrie (1976). The film ends with a tantalizing cliffhanger, leaving much room for exploration in the feature.
100 Words on Patricia Chica's Morning After (2017)
Patricia Chica’s 2017 Cannes short, Morning After, unflinchingly charts the evaporating notion of concrete gender dichotomies. Returning to Montreal from a trip abroad, Michael (Thomas Vallieres) finds himself redefining his sexuality over the course of an increasingly-erotic welcome home party. Other than some off-the-cuff philosophical observations (if the universe is constantly changing, why shouldn’t humans?), Kristian Hodko’s script is light on its feet; the actors, both male and female, inhabit their characters with a laid-back ease. Dop Martin Bouchard’s cinematography, reminiscent of Aguirresarobe’s work in Vicky Cristina Barcelona, bathes both the characters and their home city in a sensual glow.
By Thomas Puhr