Thursday, August 10, 2017

100 Words on Jim Jarmusch's Paterson (2016)

By Thomas Puhr
Things repeated in Jim Jarmusch’s Paterson (2016): circles, symbols of repetition, painted on curtains; twins, both literal and figurative (the titular Paterson [Adam Driver], an aspiring poet, encounters a Japanese doppelganger at a crucial moment); the daily routines of Paterson and his wife, Laura (Golshifteh Farahani), the small variations of which feel like different drafts for the same, universal poem; word-filled pages replaced by empty pages, which must be filled again; and water, indicative of both life’s transience and endurance. Paterson, recognizing these cycles, continues his life’s work; to paraphrase his “twin,” an empty page sometimes presents the most possibilities.

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